WHAT LIES AHEAD So I decided to add a little something after the Conclusion and Bibliography for a couple reasons. First, it's been a year since the article was originally written. During this year, a lot happened. SLR Magic's Anamorphot came out, we got the Focus Module, 4K is becoming very …
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Anamorphic
< < BACK TO CHAPTER VII - CONCLUSION BIBLIOGRAPHY ABOUT ANAMORPHIC LENSES AND ADAPTERS BORDWELL, David. Poetics of Cinema – Chapter 10: Cinemascope. EUA: Routledge, 2007 REID, Andrew. Anamorphic Shooter’s Guide, 2nd Edition. EUA: EOSHD, 2011 MEUSY, Jean-Jacques. Henri Chrétien, Bernard Natan, and …
< < BACK TO CHAPTER VIC - WORKFLOW CONCLUSION Looking through the lenses is a must in order to understand how they work. Was the time I spent researching, reading and experimenting online elightening? Sure, but it doesn't cut even close to the very first minutes handling each lens and seeing the …
< < BACK TO CHAPTER VIB - ON SET PREVIEW WORKFLOW DISCLAIMER: This was written long before the MLV format and real time players for MagicLantern's raw files! More on that in the future, I hope. The most complicated step on this process is dealing with the raw footage. The anamorphic bit is quite …
< < BACK TO CHAPTER VIA - CONCEPT DEVELOPMENT VIB - ON SET PREVIEW One of my main concerns shooting anamorphic was how to take a look at the footage on set, at the correct aspect ratio, not squeezed like it's being shot. This topic contains not only the time of shooting, but also reviewing a …
< < BACK TO CHAPTER VI - THE PROCESS VIA - CONCEPT DEVELOPMENT Starting with Episode 01, it takes a lot of imagination on the actors behalf to put themselves into the context of this ruined environment that visually goes no further than the minds of the crew. In this sense, shooting with a digital …
< < BACK TO CHAPTER VB - ISCORAMAS - EPISODE 02 VI - THE PROCESS This is the chapter where I'll either curse and regret the idea of shooting anamorphic or swear I'll never go back to standard 16:9. It's a description of the path I chose to follow during shooting and post-production and its goal is …